Flutes left in cars… :(

The other day I heard of a flute stolen from inside a car, and it makes me so upset that I just want to give some simple advice: NEVER LEAVE YOUR FLUTE IN THE CAR!

Yes, sometimes it's a drag to carry one's flute around (be grateful you don't play tuba…) but consider the risk involved: most insurance companies either charge more (a lot more) for this coverage or will not reimburse for an instrument stolen from a car. I believe the reason is that it must be pretty easy for thieves to break into cars. Sad but true. 

So every time you're tempted, just think of how you'd feel discovering that your flute has DISAPPEARED, along with the investment it represents. And then, just tuck it under your arm, or put it in a fun bag, and hang on tight! (PS, let's hope this stolen flute is recovered!)

“Better safe than sorry!”

Back in the saddle!

I've been enjoying the last gasp of Summer, before things really get rolling next week! Of course practicing anyway, but also had a short trip out of town to catch up with my European cousins and stock up on inspiration!

As we all get "back in the saddle" (Wild-West terminology still in the language!) here's some advice I even hope to follow myself: spend not too much time in the "comfort" zone, nor too much time in the "impossible, panic-inducing" zone, focussing instead on the "learning" zone in between these two extremes, where we push ourselves without causing panic (and extra tensions). Go steady, enjoy even the mistakes, and progress will come!

Here's a little angel to watch over us all, found on my travels:

Bas-relief by Eleonore Blount

Congratulations, Aldo Baerten!

Great news from the fabulous flutist Aldo Baerten, our guest teacher at the 4th Summer Flute Academy:

Aldo Baerten will leave the Münster Musikhochschule and replace Professor Marina Piccinini at the Hochschule für Musik, Theater und Median in Hannover, Germany. He will keep his positions as Principal Flute with the Royal Flemish Philharmonic and at the Music Universities in Antwerp and Utrecht.

As we saw during his recital and master class at the Academy, Aldo is a wonderful musician, flutist and teacher, inspiring and warm, so the Hannover Hochschule is very lucky to get him! Aldo, a Powell Flute Artist, was sponsored at the Academy by the generosity of Powell Flutes in Boston. BRAVO, Aldo, from your fans in Portugal!

Professor Aldo Baerten working with Constantino Dykiy at the 4th Summer Flute Academy.

Gabrieli for flutes!

Here's the link to another video from the Summer Flute Academy, with the most incredibly beautiful music by Giovanni Gabrieli (1557-1612). It is rare to find pre-baroque music on a flute program, but the loss is definitely ours!

This "Canzon" in 8 voices features two groups of 4 players, facing each other from opposing sides of the room in this performance. Had we had the luck to "beam ourselves" to St. Mark's Cathedral in Venice, Italy, where Gabrieli was the chief composer, the design of the church with its opposing choir lofts would have amplified the antiphonal effect. Gabrieli was famous for using the spectacular acoustics of St. Mark's to the benefit of his compositions. These influenced early Baroque composers such as Schütz and indirectly Bach, bringing the Italian style into the German high-Baroque. More globalization!

Congratulations to the Academy students who performed—it was a joy to hear live, and a joy to hear again through the magic of YouTube!

Master Italian composer Giovanni Gabrieli, with lute

Winning Composition Premier now on YouTube!

My magnificent Summer Flute Academy colleague Stephanie Wagner is back from holiday, and thus the recordings from the concerts at the Academy are going online! (She's the IT whiz amongst us). They are on the Academy site, FaceBook page or YouTube.

The first one I'd like to draw your attention to is the fabulous performance by André Cameira (flute) and Patrícia Pires (alto flute) of Ricardo Matosinho's work "Traveling". It is extremely well-written and fun to listen to—bravo to the performers and the composer, who received First Prize in the Academy's 3rd Composition Competition for Works for Flutes! 

As soon as the work is available—it will be published by Scherzo Editions before the end of the year—I'll let everyone know. Until then, enjoy listening, and to the composer: keep writing for flutes, please!

Composer Ricardo Matosinhos, Patrícia Pires and André Cameira. Photo ©Susana Neves/AFV

Zen and the Art of Returning to Practice

It is September! A new season beckons, full of plans as well as many unscheduled surprises! The feeling of "back-to-school" permeates the air, and in spite of the implied work, it is somehow invigorating!

A rather Zen-style tactic that I find helpful after some rest is to focus not on the audible results of my playing straight away, but rather to disconnect from the goal and focus on the elements that will help me to arrive at that goal: good posture and body use, relaxed breathing, generous blowing, making corrections to any errors encountered with a low-stress attitude, and connecting to the pleasure of music-making through improvisation or sight-reading. Even while gradually adding in the "menu" of required exercises, studies or pieces, this Zen attitude can be encouraged and you may be surprised by…the results!

Here's a photo to remind us of the joy and wonder of making music!

"What is making that noise?"