Lisbon

Bruckner - an unexpected pleasure

The season begins! First concert features Bruckner Symphony #4, "The Romantic" (1878-80), which is an indulgently long, warm work that grows on you! While it may lack the fire and wildness of Mahler or Strauss, you just have to sit back a little and enjoy the "landscape" slowly passing by, the wonderful evolution of the harmonies, the occasional asides into Viennese tenderness, and of course the remarkable glow of the big brass writing. Sublime. And a good excuse to use my Powell Grenadilla flute; just the right colors!

The concert will be Sunday, Sept. 18th, at 5pm at the C.C.B. in Lisbon, and features the much more modern Lutoslawski Cello Concerto (1970) with Johannes Moser as soloist on the first half of the concert. I'm looking forward to working on that tomorrow—playing the piece, and hearing some wonderful cello playing! Two very complimentary/contrasting works to make a very balanced program—a great start to the season! Lutoslawski in black and white; Bruckner in color—

Syrinx : XXII - It's a wrap! (HOT!!)

Global warming has arrived, in case there were any doubt! After ten days of Syrinx : XXII rehearsals in the sweltering heat of Lisbon, we escaped to…more heat in the north! Not all was lost; the rehearsals were fantastic—fun and creative as always, and the north was beautiful beyond our (already very) high expectations!

At the end of the last day of rehearsals, we relaxed for a photo shoot in the elegant Lisbon Opera House. Like the rehearsals, the shoot was entertaining, entirely due to my patient and cheerful colleagues, Raj Bhimani, piano and António Carrilho, recorders. We extend our most grateful appreciation to the Opera House for their support, and to photographer Rita Delille, for her talent and good humor!

Syrinx : XXII, with Raj Bhimani and António Carrilho

Syrinx : XXII, with Raj Bhimani and António Carrilho

Ancient Multiculturalism

Lately the word "multiculturalism" or globalization gets a lot of exposure. But in fact, multicultural influences have been around for years, centuries, probably millennia.

While enjoying some tourism with my pianist friend Raj Bhimani after a good week of solid rehearsing, we went to the beautiful Monastery of Jeronimos in Belém, Lisbon. It dates from 1601 (after 100 years of construction!) and is in the Manueline Style. It is one of the few buildings in this late Gothic style that survived the catastrophic earthquake of 1755.

The nave is exquisite: lofty and elegant, moving in it's very form and materials. The ribbed vaults are particularly spectacular, and as I was photographing them, I saw how closely their pattern resembles Moorish tile-work, in form and repetition. Considering the dominance of the Moors in Portugal from about 711 to 1249, it shouldn't be too surprising, but somehow, at the very apex of a major cathedral, it IS a surprise … and a reminder that styles and people have always commingled… the melting-pot was not, after all, an American invention!

Jerónimos.jpg

Rehearsal Break - Vegan Food Project, Lisbon

What's the reward for rehearsing in August, when global warming is doing its thing in Lisbon? GREAT FOOD, of course! Wind players are famous for their gastronomic interests, and Syrinx: XXII consists of two wind players plus a gourmet cook/pianist, so the question is settled! Today, we went to the "Vegan Food Project"restaurant near Chiado in Lisbon, and the food was vegan but mostly just amazing, and the service was tops, too. 

After the photo: back to work, most enjoyable, on a selection of works for upcoming concerts—more on that soon!

Dessert and good cheer—Syrinx: XXII at Vegan Food Project in Lisbon

Dessert and good cheer—Syrinx: XXII at Vegan Food Project in Lisbon