A member of my vast readership has pointed out to me that life, and music, do not begin in college, and right he is! He perhaps wants me to confess that my first instrument was the ukulele?… having gotten that out of the way, i'll jump to high school and confess the greatest good luck with both teachers and fellow students. Ours was a magnet school for performing arts before such a thing existed. We put on musicals twice-yearly, with the entire production, on and offstage, turned over to the students: scenery, lighting, tech, orchestra, and even the singers! Once a sub filled in for Dorothy in the Wizard of Oz on a day's notice and was an instant star. A friend wrote an oratorio, another friend conducted us singing it. We sang a twelve-tone Anthem by Stravinsky. We learned about aging singing in local convalescent homes. The cute boy who could do stand-up and mime took on a serious role perfectly in the play "The Diary of Anne Frank". One singer later started an opera company; another was nominated for a Grammy. Our teachers had unlimited faith in our nascent abilities. Another day I'll write more about it all, but Clay, don't worry it's not forgotten— none of you are remotely forgotten. Ramona High School: an extraordinary ordinary public school in the California 'burbs. As I start a week of working with young musicians, I'll keep these thoughts close at hand.
Ten Thousand Hours
Researchers who study talent and expertise have come to an interesting conclusion: in short, talent doesn't exist. The old adage about it being 5% inspiration and 95% perspiration perhaps needs to crank perspiration up to 100%, and more specifically, the sweat of 10,000 hours of hard, focussed work. We flutists know a bit about doing that, I'd say! But let's do those hours with a happy heart, and with a flute that is the work of an expert artisan, who has put in his or her own 10,000 hours to gain true mastery of flute-building. That flute, for me, has always been a Powell. There are many to choose from, and all will give you that amazing sensation of never reaching the end of what you can imagine.
Galina at Powell, padding a flute with protective blue film
Head's up! Powell Flutes at the Summer Flute Academy
Here's some of the gear I'm packing up to take to the Summer Flute Academy (AFV)! There's lots more swag to show, but these gorgeous Powell head joints were just asking to have their photo taken! (Really, I mean it: begging!). I'll have flutes and piccolos from all four Powell line to try out. On the 31st of August, I'll be wending my way south from Porto by car and can stop to show instruments along the way, just contact me to set up an appointment. I'll also have detailed information flyers about all Powell lines, materials, options and so forth—just ask or pick one up at the Academy. See you there!
Handmade Custom Powell head joints, in Silver, Aurumite 9k, 14k, 9k Gold, and Grenadilla
Going out with (verismo) style!
To finish a brilliant season, the Lisbon Opera House—soloists, orchestra and choir—will present Mascagni's famous one-act opera "Cavalleria Rusticana", the first verismo opera, dating from 1890, tonight and tomorrow at 9:30pm. Verismo basically means that there are no ten-minute arias sung while someone dies; if you die, you die FAST! The performances will surely be extra true-to-life as they are part of the July Festival outdoors on the square in front of the Opera House—very picturesque, as well as occasionally windy and noisy—near the Chiado area (see photo below), tuk-tuks and all.
Along with well-known, wonderful Portuguese singers, the production features a fellow American-Expat, Mary Elizabeth Williams, singing the role of Santuzza with both astounding power and subtlety—such an inspiration!
For those preferring creature comforts, Saturday's performance will be broadcast live on Portuguese TV—either way, enjoy!
Tuk-tuks at the top of Chiado, near the Lisbon Opera House
Aldo Baerten to perform and teach at the Summer Flute Academy
We are delighted to welcome the Belgian Flutist Aldo Baerton to the 4th Summer Flute Academy (AFV). Aldo is Principal Flute of the Royal Flemish Philharmonic, and Professor at the Conservatories in Antwerp and Utrecht. As a Powell Artist, he comes to Porto through the sponsorship of Powell Flutes, USA—thank you, Boston!
Along with a master class for AFV participants, he'll be presenting an exciting recital accompanied by Jon Ayerst of REMIX ENSEMBLE, joining us for our teacher's opening recital, and making his first proper visit to Porto and Portugal. Bemvindo, Aldo, and thank you so much for joining us! (Time to break out a decent bottle of wine!). His classes are filled, but auditors may of course attend—Tuesday and Wednesday morning, July 26 and 27.
Aldo Baerton, flutist
Summer Flute Academy - almost time!
Next Monday, already, the 4th Summer Flute Academy (Academia de Flauta de Verão) will start up, and it's going to be the best, ever! We'll all be busy playing for 6 intense days, with workshops and ensemble playing and so much else I can barely remember it all. This year for the first time, we'll have the added excitement of a master class and recital by the wonderful Belgian flutist Aldo Baerten, courtesy of Powell Flutes, who we thank very much. More about Aldo soon!
Just two things I want to say about the AFV: there is still time to sign up as a auditor on the AFV website! Secondly, what an honor it is to work in tandem with my wonderful colleagues Stephanie Wagner (REMIX ENSEMBLE) and Raquel Lima (ESMAE). Along with being fabulous flutists, who are always pushing the envelope (or several!), they are THE BEST collaborators ever! We've been working behind the scenes all year, so come over and see what's up! Here's a happy photo from last year's edition:
Professors Raquel Lima and Stephanie Wagner, Ana Sofia Domingues, and myself—3rd AFV, 2015